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August 4, 1600
On August 4, 1600, Henry V, Much Ado About Nothing, and As You Like It (along with a fourth play not authored by Shakespeare, Every Man in His Humor) were noted on the flyleaf of Liber C of the Stationer's Company.
ca. 1600-1615
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
February 18, 1601
In early 1601, Robert Devereux, Earl of Essex, led a rebellion which was over almost as soon as it began.
1598- 1601
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
February 2 and March 13, 1602
The earliest mention of Shakespeare’s Twelfth Night is in a notebook of gossip, observations and sermon notes kept by John Manningham while a law student at Middle Temple, one of the Inns of Court in London.
June 25, 1603
Richard III,  Richard II, and Henry IV Part 1 were all transferred to publisher Matthew Law from publisher Andrew Wise in an entry in Liber C of the Stationers' Company, dated June 25, 1603.
August 9-17 1603
This fragment from the account book of a stationer in southern England provides evidence of a bookseller’s stock in the early seventeenth-century, with a tally of items sold over the course of a few days in August 1603.
ca. 1594- 1603
Sometime in the final years of Queen Elizabeth’s reign, someone copied sixty-three lines from Shakespeare’s Henry IV Part 1 into the final leaves of a notebook devoted primarily to his Latin notes on metaphysics and theology.
1604- 1605
The Revels Book of 1604–5 shows William Shakespeare at or near the height of his success as a playwright, with seven plays and eight performances at court. Merchant of Venice was so admired by the king that he commanded a repeat performance.
ca. 1606
In several scenes, the Cambridge University play Progress to Parnassus mocks the literary tastes and talents of the London commercial stage, depicting Shakespeare as a popular but unsophisticated playwright and poet.

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