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Shakespeare Documented is still growing! Currently, two thirds of the descriptions and 98% of the images are available in the resource. Descriptive text will continue to be added, updated and expanded. Visit our About page to learn more about the project scope.

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SHAKESPEARE DOCUMENTED IS STILL GROWING

Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!

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1619
In 1619, William Jaggard and Thomas Pavier issued a joint reprinting of the anonymous plays The First Part of the Contention (1594) and The True Tragedy of Richard Duke of York (1595), titled The Whole Contention Between the Tw
ca. 1620
This scrap of paper, subsequently used as a bookmark, includes eight Shakespeare quotations from Richard III and Pericles.
ca. 1586- 1620
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
ca. 1620
In 1606 John Witter of Mortlake, Surrey, married Anne Phillips, widow of Augustine Phillips, a member of the King’s Men who had died in 1605.
1619- 1620
In 1606 John Witter of Mortlake, Surrey, married Anne Phillips, widow of Augustine Phillips, a member of the King’s Men who had died in 1605.
1620
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1619- 1620
In 1606 John Witter of Mortlake, Surrey, married Anne Phillips, widow of Augustine Phillips, a member of the King’s Men who had died in 1605.
1619 - 1620
In 1606 John Witter of Mortlake, Surrey, married Anne Phillips, widow of Augustine Phillips, a member of the King’s Men who had died in 1605.
April 23, 1620
In 1606 John Witter of Mortlake, Surrey, married Anne Phillips, widow of Augustine Phillips, a member of the King’s Men who had died in 1605.
1620
John Tyler’s The Praise of Hemp-Seed was first published in 1620 by Edward Allde for H. Gosson. The poem includes an early remembrance of Shakespeare four years after his death, praising paper for keeping his art alive (image 2): 

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